Bass Tab of Caramelos de Cianuro: el Martillo
Caramelos de Cianuro  corregir
Harikiri City [1996]
Saludos esta es una corrección de la tablatura anterior.

La canción es bastante fácil, tengan en cuenta los slide y tiempos al momento
del solo de guitarra y todo sonara como en el disco.
Espero les sea de utilidad.
Suerte a todos.

Att.: Alex Garvel.


    Gtr I
    E E E E E E E E   E E E E E Q.  3x E E E E E E E E   E E E E E E E E
||------------------|---------------||-----------------|-----------------|
||------------------|---------------||-----------------|-----------------|
||------1-3-----1S3-|---------------||-----1-3-----1S3-|-----------------|
||--3-3-----3-3-----|-3-3-3-3-3-----||-3-3-----3-3-----|-3-3-3-3-3-3-3-3-|


    E E E E E E E E   E E E E E Q.     E E Q  E E Q    E E Q  E E Q
||------------------|---------------||---------------|----------------|
||------------------|---------------||---------------|----------------|
||------1-3-----1S3-|---------------||--------1-1----|-3-3----4-4-----|
||--3-3-----3-3-----|-3-3-3-3-3-----||-3-3-----------|----------------|


  Q  E Q  E E E   W          q  q  q  q    q  q  q  q
|---------------|----------|-------------|-------------|
|---------------|----------|-------------|-------------|
|-5--5-4--4-5-5-|----------|-------------|-------------|
|---------------|----------|-3--3--3--3--|-3--3--3--3--|


  q  q  q  q   e e e e e e e e     E E E E E E E E   E E E E E Q.
|------------|-----------------||------------------|------------------||
|------------|-----------------||------------------|------------------||
|------------|-----------------||------1-3-----1S3-|------------------||
|-3--3--3--3-|-3-3-3-3-3-3-3-3-||--3-3-----3-3-----|-3-3-3-3-3--------||


  E E Q  E E Q    E E Q  E E Q    Q  E Q  E E E   W
|---------------|---------------|---------------|------|
|---------------|---------------|---------------|------|
|--------1-1----|-3-3----4-4----|-5--5-4--4-5-5-|------|
|-3-3-----------|---------------|---------------|------|


  q  q  q  q      E E E E E E E E   E E E E E Q.    3x E E E E E E E E
|-------------||------------------|-----------------||-----------------|
|-------------||------------------|-----------------||-----------------|
|-------------||------1-3-----1-3-|-----------------||-----1-3-----1-3-|
|-3--3--3--3--||--3-3-----3-3-----|-3-3-3-3-3-------||-3-3-----3-3-----|


  E E E E E E E E     E E E E E E E E   E E E E E Q.    3x E E E E E E E E
|-----------------||------------------|-----------------||-----------------|
|-----------------||------------------|-----------------||-----------------|
|-----------------||------1-3-----1-3-|-----------------||-----1-3-----1-3-|
|-3-3-3-3-3-3-3-3-||--3-3-----3-3-----|-3-3-3-3-3-------||-3-3-----3-3-----|


                     3/4
  E E E E E E E E     E E E E E E   H.        E E E E Q    E E E E
|-----------------||--------------|---------|------------|---------|
|-----------------||--------------|---------|------------|---------|
|-------------1---||--------------|---------|---1---1----|---------|
|-3-3-3-3-3-3---3-||--3-3---3-3---|---------|-3---3---3--|-3-3---3-|


                                  5/4
  E E   H.        Q  Q             Q  E Q  E Q  E E   E  8x
|-----|---------|-----------||-||-------------------|----||----|
|-----|---------|-----------||-||-------------------|----||----|
|-----|---------|----1------||-||--0--0-1--1-0--0-1-|-3--||----|
|-3---|---------|-3---------||-||-------------------|----||----|
                        Q


   4/4
    E E E E E E E E   E E E E E Q.    3x E E E E E E E E   E E E E E E
||------------------|-----------------||-----------------|-------------|
||------------------|-----------------||-----------------|-------------|
||------1-3-----1-3-|-----------------||-----1-3-----1-3-|-------------|
||--3-3-----3-3-----|-3-3-3-3-3-------||-3-3-----3-3-----|-3-3-3-3-3-3-|


  E E     E E E E E E E E   E E E E E Q.       E E Q  E E Q    E E Q
|-----||------------------|-----------------||---------------|---------|
|-----||------------------|-----------------||---------------|---------|
|-----||------1-3-----1-3-|-----------------||--------1-1----|-3-3-----|
|-3-3-||--3-3-----3-3-----|-3-3-3-3-3-------||-3-3-----------|---------|


  E E Q    Q  E Q  E E E   W          q  q  q  q    q  q
|--------|---------------|----------|-------------|------|
|--------|---------------|----------|-------------|------|
|-4-4----|-5--5-4--4-5-5-|----------|-------------|------|
|--------|---------------|----------|-3--3--3--3--|-3--3-|


  q  q    q  q  q  q    E E E E E E E E     E E E E E E E E   E E
|-------|-------------|-----------------||------------------|------|
|-------|-------------|-----------------||------------------|------|
|-------|-------------|-----------------||------1-3-----1-3-|------|
|-3--3--|-3--3--3--3--|-3-3-3-3-3-3-3-3-||--3-3-----3-3-----|-3-3--|


  E E E Q.       E E Q  E E Q    E E Q  E E Q    Q  E Q  E E E
|-------------||---------------|---------------|-----------------|
|-------------||---------------|---------------|-----------------|
|-------------||--------1-1----|-3-3----4-4----|-5--5-4--4-5-5---|
|-3-3-3-------||-3-3-----------|---------------|-----------------|


  W          E
|----------|------|
|----------|------|
|----------|------|
|----------|-3----|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to 'nowhere')
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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